WEBVTT

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A Hindu temple is not planned
as one room with a roof on top.

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It is set out from a single point

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on the ground, and everything
else is arranged around that point.

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By the end there
will be three parts to point at:

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a small room at the centre, a hall
in front of it, and a tower over the top.

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All three are set out from this square.

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The plan begins as a square,
divided into a grid of equal cells.

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This one is nine cells each
way, which makes eighty one.

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The grid is squared to the compass.

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On this drawing east is the side nearest
us, and the doorway goes in that side.

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Now the middle cell.

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It is the most important square

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on the plan, because the heart
of the temple is built exactly there.

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That centre has a name: the brahmasthana.

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The grid stands for an ordered world, and
the sacred is placed at the middle of it.

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One more line matters as much.

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Run it through the middle
and out through the doorway.

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That is the line you walk in along,
and the whole building is arranged on it.

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The square is marked out
and the centre is settled.

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The first room built is the one
that stands on that centre,

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and it is smaller than you would expect.

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This is the garbhagriha, the womb chamber.

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A plain cube of a room, usually with no
windows, thick walls, and one door.

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The image of the god stands inside it.

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And it is dark on purpose.

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You come in out of bright sunlight,

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and the room you are walking
toward is the darkest in the building.

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The outer wall is set back from it,
which leaves a passage all the way round.

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Walking that circuit is part of a visit,

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and you keep the shrine
on your right as you go.

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In front of it,
on the same line, comes the hall.

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This is the mandapa, and it
is the opposite kind of space:

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wide, open, and carried on pillars.

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The hall is where people gather.

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It is where you wait, where music
is played, where a crowd can stand.

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Larger temples have two or three of them.

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And this is the line
they are all arranged on.

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It runs from the outer door, through
the hall, to the door of the sanctum.

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So a visit is a walk from the outside in.

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Through the entrance,

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along the hall, past the pillars, and up
to the threshold of the small dark room.

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Most visitors stop about here.

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The plan narrows as you go in:

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wide and open at the front,
small and shut at the heart.

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Three names, then.

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Garbhagriha for the sanctum at the centre.

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Mandapa for the hall in front of it.

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And pradakshina patha
for the path that goes round it.

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So the plan is read
from the middle outward.

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Find the sanctum, and the rest
of the building tells you where it is.

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Now turn the same temple
and look at it from the side.

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One thing dominates it,
and it sits over one room only.

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The whole building stands

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on a raised platform, which lifts
it clear of the ground you walk on.

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Here is the sanctum block again, the small
closed room at the centre of the plan.

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And this is what is built
directly on top of it.

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This is the shikhara,
the tower over the sanctum.

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It rises straight from the walls
of the small room, narrows as it goes,

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and curves inward near the top.

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Two more pieces finish it: a ribbed
stone disc, and a pot above that.

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They stand exactly
over the centre of the room below.

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The hall in front is kept
low, under a modest roof.

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So the height is not
spread across the building.

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It is given to one room.

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That is the idea worth keeping.

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The tower is read as a mountain,
with the sanctum as the cave at its heart.

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The plan pointed inward.

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This points up.

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This tower is the northern
kind, called nagara.

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Southern temples, called dravida,
build the same thing another way,

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and they give it another name.

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It is built as a stack of storeys,

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each one smaller than the storey below, so
the outline steps in instead of curving.

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A small domed cap sits
on top, with a finial above it.

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Tower and sanctum together,
this is called the vimana.

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Two ways of building one idea.

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The tower says which room
matters, and it says so by height.

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So, the whole of it.

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A square plan, set out from its centre.

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A small dark sanctum
standing on that centre.

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Open pillared halls in front of it.

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And a tower over the sanctum alone.

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A real temple has far more:

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gateways, smaller shrines,
carving everywhere.

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But find the sanctum,
the hall and the tower,

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and you can read almost any of them.